HEADLINERS
ABC IVIEW
Last night we watched the thrilling final episode of this wonderful series where Elly-May Barnes, Tim Rogers, and Ella Hooper spend seven weeks preparing two bands for the Mundi Mundi music festival Bash.
Elly May Barnes' mission of inclusion of people with disabilities in the music scene was an astonishing success. We have physical disabilities of an extreme nature and a whole range of neurodiversity on display here, including our favourite, the drummer with Tourettes who keeps yelling "bitch!".
The two bands were superb, as were the very supportive crowd.
It is the case that many stages are simply not physically accessible to people with physical disabilities. Same with buses and touring. This is something we need to work on in Australia, a country that does generally help people with disabilities in many other areas of life.
When we watched these two bands successfully pull off two astonishing songs each (Don't Dream It's Over / Hit Me with Your Best Shot and Divinyl's Boys in Town / Russell Morris's The Real Thing produced by Molly Meldrum back in the day) in front of 15,000 people, we were just as excited and thrilled as everyone else involved.
Brilliant stuff.
You want to check out the two lead guitarists in these bands.
This would be a gig to get to and put on the bucket list but you may need a Winnebago / ute / four wheel truck to get out to Broken Hill.
HEADLINERS
Cold Chisel
Elly-May Barnes leads the quest to create two bands made up entirely of musicians living with a disability. Judge Tim Rogers, whose content of his album "Hourly Daily" had a large influence in producing our novel "Ridgestone" when we were studying creative writintg at QUT in the late nineties. A suburban struggle. Main character a female who has just left school and is working in a 7-Eleven.
Then there's our golden girlfriend heartthrob Ella Hooper who is so lovely also as a judge.
The girl from Violet Town is, as they say in "Crazy, Stupid, Love", the perfect combination of sexy and cute.
You can find Ridgestone on Amazon, together with our novels "Symphony" (also at Xlibris) and "The Defence Strategy". We are currently working our way through our fourth novel.
In the first episode, Elly-May, who has cerebral palsy, goes down with a whole bunch of pain and spasms and calls a "stand-in" while she recuperates. Her stand in turns out to be this bloke called Jimmy Barnes, her father. They are all hanging out at the Camelot Lounge at Marrickvile.
We are totally heartbroken that we did not get to go see Cold Chisel at Ballarat due to being ill with back spasms, followed by a second case of the dreaded diverticulitis, which we are holed up with again and fighting again now. We would have done anything to see Jimmy with his arm around Mossy again as Mossy rips into a solo but it was not to be. They pulled a 25,000 crowd.
Do yaself a big favour.
You can watch this on ABC iView.
COLD CHISEL 50TH TOUR
G'day music lovers, as Richard Clapton would say.
The pub rock scene which people of our age experienced was the Golden Age of Aussie rock. We were also lucky enough to have people like Molly Meldrum and Michael Gudinski who were of the opinion that it wasn't fair that teenagers who really loved music couldn't get into pubs to see these great bands like Chisel, the Angels, Australian Crawl, Split Enz (Neil and Tim Finn) etc.
So they hooked up with Melbourne radio station 3XY, the Triple M of its time (in fact just before EON FM commenced operations in Melbourne in the late 70s, early 80s). And what they organised for us were 'UNDER 18 CONCERTS' at Festival Hall in the city. We'd get the train up to the city and see all these incredible bands. That was the first time I saw Paul Kelly and the Dots. I had already seen Suzi Quatro at Festival Hall twice, attending my first concert at the age of 10, which was 'Sweet' (Ballroom Blitz, Fox on the Run, Action). One of the greatest concerts I have ever experienced was 'Cheap Trick'. Rick Nielsen just an amazing magician.
We were talking about those epic last songs on Cold Chisel albums. We have more to say about that. On the first album, it didn't contain an epic last song but a beautiful slow bluesy number. On the last album (before the 1998 re-union) 'Twentieth Century', there is the song "Temptation" and the great thing about this song is that, since this was the last Chisel album before Jimmy Barnes went solo, it is very fitting that what happens in that song is the music just stops. Very fitting.
More recently, in 2012, there was the 'No Plans' album. We hit Festival Hall in Melbourne to see Chisel again. Don Walker provides a beautiful number called 'The Horizon', a song about gambling addiction, the second last song. However, this was the time when the great songwriter and drummer, Steve Prestwich, became ill and died. On 'No Plans' the last song is an incredibly heartfelt song written by Steve about dying. The song is called "I've got things to do Today". But of course that's not going to happen because he's about to die. Jimmy sings this song.
Then there's 'The Perfect Crime', another great album (2015). The last song is "Lost", a thoughtful song about how in the middle of the night, in the wee small hours, sometimes we really do feel lost. The incredible Walker song on this album is 'Alone for You' but this is a truly great Chisel album, as good as any.
'Blood Moon' we didn't think was that great.
So many of these 50th birthday shows are sold out. However, we've managed to get a ticket to one of the shows, so that's real grouse.
Thank you Molly Meldrum and Michael Gudinski for everything you did for us.
LAST STAND - COLD CHISEL
Tonight on the SBS series "Australia's Greatest Concerts", the Last Stand by Chisel was featured.
It came out at the cinema back in the day. We have it on video!
Anyway, this 2024 doco set to coincide with the upcoming concerts in Oz has Barnesy and Mossy interviewed by Diesel, with contributions from the Living End's Chris Cheney and a very brief appearance from Richard Clapton.
Back in the day, we were in tears at the end of this movie coz that was it for Chisel. Well, how bloody great was the late 90s "Last Wave of Summer" gigs and that album.
Don Walker always provides a huge epic song at the end of an album. For example, Breakfast at Sweethearts: The Door, East: Tomorrow, Circus Animals: the absolutely epic song Letter to Alan, and then on the Last Wave of Summer: the also epic song The Last Wave of Summer.
We have seen them so many times since the age of 15 and are still considering the Red Hot Summer gig.
For the fans, maybe you can watch this on SBS On Demand.
We will be pulling out the "Swingshift" double LP tonight for a good vinyl listen.
Do yaself a favour.